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Univ.-Prof. Dr. Rossella Ferrari

Sprechstunde: Wednesdays 3:30 - 4:30 pm. Please email to book an appointment.

I am a Professor of Chinese Studies in the Department of East Asian Studies at the University of Vienna. My research focuses primarily on the performance cultures of the contemporary Chinese-speaking world. In "Pop Goes the Avant-garde: Experimental Theatre in Contemporary China" (2012), I propose the concept of “pop avant-garde” to understand the aesthetic and power relationships between performance, politics, and economics in postsocialist China. Extensive research on Hong Kong’s transmedia collective, Zuni Icosahedron, has led me to explore connections between theatre and other disciplines (e.g. film, architecture, visual arts) and to think through the idea of what I define as “Xiqu 2.0”, i.e. how classical performance genres interact with new technologies and techniques. I have drawn on Asia-focused methodologies to formulate the notion of “Asian theatre as method”, which aims to destabilize Western-centred approaches to intercultural analysis while investigating processes of informal reconciliation through the arts. My third monograph, "Transnational Chinese Theatres: Intercultural Performance Networks in East Asia" (2020), explores transnational performance networks in the contemporary Sinosphere and across East Asia to see how contested historical memories and sociopolitical conflict have been tackled collectively and comparatively through intercultural collaboration. Another forthcoming book, "Asian City Crossings: Pathways of Performance Through Hong Kong and Singapore" (co-edited with Ashley Thorpe) proposes the notion of “city as method” to look specifically at city-to-city networks centred on Hong Kong and Singapore. I have also researched strategies of intertextuality and adaptation between Chinese, Asian, and global performance cultures (e.g. Latin America). I remain deeply invested in new approaches to theatre-making in mainland China, and I am currently planning a new long-term project on the concept of “performing postsocialism”.

Wintersemester 2020
150024 PS MA - Proseminar LK (Literatur und Kultur) (M2) - Performance, Politics, and Pop: Avant-garde Theatre in Contemporary China
150063 SE Literatur und Kultur (M7) - Cinema and Nation: China on Screen

Ferrari, R. (Autor*in). (2020). Contemporary avant-garde theatre: Meng Jinghui: (MCLC Video Lecture Series). Multimediale Veröffentlichung, MCLC (Modern Chinese Literature and Culture) Resource Centre. https://u.osu.edu/mclc/video-lecture-series/


Ferrari, R., (TRANS.), & Yung 榮念曾, D. (Angenommen/Im Druck). 交流的文化與文化的交流. in Asian City Crossings: Pathways of Performance through Hong Kong and Singapore Routledge. Routledge Advances in Theatre and Performance Studies

Ferrari, R., & Thorpe, A. (Hrsg.) (Angenommen/Im Druck). Asian City Crossings: Pathways of Performance through Hong Kong and Singapore. Routledge. Routledge Advances in Theatre and Performance Studies

Ferrari, R., & Thorpe, A. (Angenommen/Im Druck). Introduction. Mapping the Terrain: Hong Kong, Singapore, and the City as Method. in R. Ferrari, & A. Thorpe (Hrsg.), Asian City Crossings: Pathways of Performance through Hong Kong and Singapore Routledge. Routledge Advances in Theatre and Performance Studies

Ferrari, R., & Thorpe, A. (Angenommen/Im Druck). Postscript: Asian City Crossings as a Strategy for Freedom? in R. Ferrari, & A. Thorpe (Hrsg.), Asian City Crossings: Pathways of Performance through Hong Kong and Singapore Routledge. Routledge Advances in Theatre and Performance Studies


Ferrari, R. (2020). Transnational Chinese Theatres: Intercultural Performance Networks in East Asia. Palgrave Macmillan. Transnational Theatre Histories


Ferrari, R. (2019). Asian Theatricalities in the Transpacific: The Hispanophone Transculturation of Nick Rongjun Yu's "The Crowd" or, Performing the Chinese Cultural Revolution in Peru. in J. De Kloet, G. P. L. Chong, & Y. F. Chow (Hrsg.), Trans-Asia as Method: Theory and Practices (S. 115-139). Rowman & Littlefield Publishers, Inc.. Asian Cultural Studies: Transnational and Dialogic Approaches

Ferrari, R. (Interviewpartner*in). (2019). Asian Theatre as Method (podcast). Multimediale Veröffentlichung, SOAS - University of London.



Ferrari, R. (2017). London/Hong Kong Culture Belt-Road City Report. in Z. I. (Hrsg.), Hong Kong Belt-Road City-to-City Cultural Exchange Conference 2017 City Reports (S. 57–60). E+E Zuni Icosahedron. https://issuu.com/zuni_icosahedron/docs/city_reports


Ferrari, R. (2016). Contemporary Experimental Theaters in the PRC, Taiwan, and Hong Kong. in K. A. Denton (Hrsg.), The Columbia Companion to Modern Chinese Literature Columbia University Press.


Ferrari, R. (2016). Performing Poetry on the Intermedial Stage: Flowers in the Mirror, Moon on the Water, and Beijing Avant-Garde Theatre in the New Millennium. in R. Li (Hrsg.), Staging China: New Theatres in the Twenty-First Century (S. 123-140). Palgrave Macmillan. Chinese Literature and Culture in the World


Performing Chinese Postsocialism: Hauntology, Futurity, and Theatre of the Real

Rossella Ferrari (Vortragende*r)

20 Jan 2021

Aktivität: VorträgeVortragScience to Science


Trans-Asia as Method: Performing the Chinese Cultural Revolution in Latin America (webinar)

Rossella Ferrari (Vortragende*r)

2020

Aktivität: VorträgeVortragScience to Public


Institut für Ostasienwissenschaften

Spitalgasse 2, Hof 2 (Campus)
1090 Wien

T: +43-1-4277-43854
F: +43-1-4277-843854

rossella.ferrari@univie.ac.at